Seaside break

From her deckchair by the beach hut Nanny watched her charges with the help of a pair of rather elderly field glasses, which had once been carried by her late, lamented fiance Captain Smart. Time had passed, but the optics were undimmed and still provided a good, sharp image - she could see the girls perfectly well, but they were quite unaware that they were being observed.

Away from the confines of day-to-day domestic life the young ladies were in very high spirits and their behaviour was becoming anything but ladylike. As she watched she pondered what action she should take when they returned to their guest house.

A severe chastisement was called for, but would her strap deliver the lesson that was required? Perhaps she should ask her landlady to send out for a cane.

(Picture reblogged from the top-notch Wicked Knickers)

In praise of... Lynn Paula Russell

I love spanking art, but fear I can get a bit obsessive about one to the exclusion of the rest. When I do I probably don't give the rest a fair whack, to use that evocative English turn of phrase.

So over recent weeks I have got a little obsessed with the peerless Roger Benson. I love the Fifties feel and the curvy figures, but am now concious that I've been boring readers with my gush on the subject.

In the interests of fairness then, today's topic is another master of the spanko imagination - or mistress of - Lynn Paula Russell. A talented spanking model, Lynn Russell decided to hang up her naughty knickers and become an illustrator instead.
Inspired by her own experience she went on to become a massive presecence on the spanko scene, feeding the spanko need at a time when - pre-internet - there wasn't that much spanking-related imagery around for us to enjoy. And, she brought a wry, humorous feminine take to what she created - with the woman as participant rather than object. Or that's how it seemed to me, anyway.

Her work was famously featured in the great 'Janus' magazine, where it went a long way to making the title something really special. She was also editor the magazine 'Februs' and her work also enlivened some sex manuals for the vanilla market.

I particulalry like her period work. Historical fiction is my thing and Lynn/Paula's creations are, for me, just right. When she summons up the Victorian country house, with a strict master or mistress disciplining a cheeky maid or errant daughter, every detail is as I'd sketch it myself if I could.

When I was working on 'A Week in the Country' I had some of Lynn's work on my desk by the laptop. They helped me bring my naughty leading lady Flick to life.
If there were Spankoland Oscars the Academy would be unanimous. The lifetime achievement awared would go to Lynn Paula Russell.

PS Is it just me, or does that young lady in the last drawing need to meet up with the guy in the suit a couple of images up? I'd say that after what happened in that alley that bottom should be stripier (is stripier a word?) than the back end of a zebra!